My work has taken a minimalist turn, and I’m learning to say more with less. It allows you, the reader, to fill in your own blanks. Through these pieces, I pour my heart out, poke fun, and have a good time. I hope you enjoy exploring these works as much as I enjoyed creating them.
Rough Draft is a wickedly funny, brutally honest poetry collection that rips into the earnest scribbles of a young man becoming a soldier. With self-deprecating charm and unapologetic wit, Hemi digs up his earliest verses, pokes fun at his own past seriousness, and reminds us that growth starts with not taking yourself too seriously. It’s raw, it’s real — and best of all, it’s free.
This collection began quietly, just a few words at a time, an attempt to trace the soft echoes of a voice I thought I’d lost. Each poem is a step inward, toward the child I once was, and outward, toward the healing that still unfolds.
These are not polished declarations. They’re fragments, reflections, and raw-boned truths about pain, tenderness, and the long, strange road to becoming whole.
Whether this ever becomes a finished book, I wanted to share these early pieces as a glimpse into that journey. If you find something of yourself in them, then perhaps that’s enough for now.
00
I remember asking questions
Where were you today?
The answers always empty
The silence seemed to stay
I don't remember overtime
I don't remember study
I remember feeling
The hunger in my tummy
I don't recall the savings
Nor the bills to pay
I remember you being too tired
To take me out to play
I don't remember singing
Nor do I remember fun and games
I remember you were drinking
In a stupor and a haze
You were counting figures
What were you supposed to do?
Whilst I would burn out birthday candles
Waiting here for you
I wonder if you see me now
Through time's relentless view
If the child who only wanted you
Could forgive the things you knew
01
I’m out of bed once again,
Shadows grow as you stand tall
I’m sorry that I look like him—
I am a baby, after all.
04
We're supposed to open eggshells,
The home where life begins.
It's a prison for my tip toes.
06
Just make it till Thursday.
Time crawls like syrup in the cold,
A hand wringing my stomach,
Softly laughing as I fold.
I sleep. I game. I dream of cake.
The silence never breaks.
I tell myself, at ten years old,
I should do better,
But I don’t.
10
john and I spent summers
lost in battlefront
crushing on The Veronicas
because we didn't know any better
when we talked about the future
we spoke in half dreams
nothing would ever change
but we didn't know it yet
The world was growing up with us
14
There be demons here,
When I went from boy to man,
A voice that slightly whispered,
Confused and made demands.
It stuck to me like second skin,
A weight I couldn’t shake,
I struggled to fall asleep at night,
And in the morn, I could not wake.
It stole from me my language,
Rattled up my thoughts,
It stole from me reality,
Twisting what I’d sought.
I became so used to it,
So used, I could not see
That this new face in the mirror
Was anyone but me
I used to be so innocent,
I used to be so free,
And it stole from me my years,
Whilst pretending to be me
Yet now I know the difference,
Between what’s real and gone,
I hear the whispers fading now
As I move towards the dawn
The strength I’ve gained in silence
Is the loudest sound I’ve known,
And in this quiet, I have found
The courage to be whole
And one thing about it,
That would take me years to see,
Was that this too shall pass,
It’s not eternity.
17
In borrowed rooms I’d laid my head
When home was getting hard,
Acted like everything was fine
And played my little part
This was just a sleepover,
The food was not that urgent,
But they came to realise
My struggle was emerging
I didn’t ask for help or hand,
I thought I’d do it on my own,
And though I tried to hide it
My hand had always shown
For a night I could relax
But the time would come to pass,
Soon I'd face the fact again,
This peace could never last
For home was waiting, silent, cold,
Expectations hard to meet,
I longed for respite, but in truth
I couldn’t cheat defeat
I’d leave the warmth, the care, the light,
Back to my own abode
But I'd be counting down the nights
Till next I ran from home
And over time I'd realise
That the world was not so perfect
Because families had their limits
And I felt like such a burden
23
I saw her.
And the world lit up.
A voice I’d always known,
steady and warm.
In that moment,
I was no longer waiting.
Every step I’d taken,
every twist of the road—
all of it led to her.
32
we are all
children in the dark
holding blocks of pain
each day another weight
but beneath it all,
that child remains
hungry for love
we carry their hurt,
but we don’t have to stay there
we can shine light
into that shadowed space
and whisper to that child,
“you are enough,
you are whole”
the blocks crumble
one by one
as we rebuild
with softer hands,
healing,
loving,
becoming
the light we always needed
Poems and Paintings is a collection that explores the intersection between words and visuals. In this project, I have sought to capture the essence of famous paintings by expanding on their subject matter through exposition and the power of poetry. By writing on specific paintings I enjoy I have found that I grew closer to the artist's vision and gained a deeper understanding of the thematic impact these paintings left behind. I invite you to explore the creativity behind these pieces.
Madame X
The controversy surrounding John Singer Sargent's painting Madam X stems from its provocative depiction of its subject, Virginie Amélie Avegno Gautreau, a prominent socialite. Unveiled at the Paris Salon of 1884, the portrait sparked scandal due to its bold composition and suggestive elements. The painting originally showed Gautreau with a strap of her gown slipping off her shoulder, which was considered highly improper and suggestive by contemporary standards. This, combined with her striking, pale skin and confident pose, led to public outrage and severe criticism from both the press and society
.The backlash was so intense that Sargent repainted the offending strap to be securely on her shoulder, but the damage to his and Gautreau's reputations had been done. The controversy forced Sargent to move to London, while Gautreau faced social ostracism.
Despite this initial negative reception, Madam X is now celebrated for its daring style and is considered one of Sargent's masterpieces .I simply HAD to write a poem about this story. I wanted to capture Sargent's excitement and his regret when the scandal took off. The painting ruined his and Gautreau's lives, and I wanted to leave off on the poignant note that even though the painting is celebrated today, they will never hear the praise that we have for it.
With fervent brush a dream takes flight,
It captures grace in shadowed light,
Whispers whip through grand salon,
But scorn is born at creation's dawn
Guilt's heavy cloak on his heart does rest,
Regret's soft echo in muse's breast,
Centuries pass in hushed awe we stand,
Praise unheard in time's far land
One Of The Family
The painting is "One of the Family" by Friederich George Cotman who is known for his detailed and sentimental depictions of everyday life. The value of family, connection, and a life well-lived became the true treasure this year, reminding me that fulfillment doesn’t come from external gains but from the internal richness of love, contentment, and peace of mind.
This poem, inspired by Cotman’s portrayal of the simple joys of family and belonging, is a celebration of the richness that can be found in life’s quiet moments, away from the hustle of the world. It’s a reminder that the greatest wealth isn’t measured in money, but in the love we give and receive, and the peace we find within ourselves.
"Chase the gold," they said, "you'll see,
A life fulfilled with wealth to win."
But in the rush, I lost what’s free,
Emptiness beneath the skin.
So I left the race, embraced the air,
Found peace in places I've never been.
No penny to my name, but I don't care,
I'm the richest I've ever been.
First Steps
The painting is The First Steps by Vincent van Gogh. This painting captures a moment of a family in a field, where a mother encourages her child to take first steps towards the father. It speaks to familial support and the small but significant victories in life. The poem I’ve written, inspired by this painting, was born from the depths of personal challenge, a reflection of the times Mykayla and I have walked through together. Even as we faced the weight of uncertainty and hardship, her strength, as well as the unwavering support of her family, became the shield that protected us. The verses capture the resolve I felt, holding my loved ones close through the darkest times, even as life’s storm continued to rage.Ophelia
Ophelia, by Sir John Everett Millais, famously depicts the scene from Hamlet where the character of the same name drowns herself. I found Shakespeare as boring as everyone else through school but Hamlet kind of stuck with my angsty teenage self. When the painting first came out it was mixed reviews, some thought the meticulous detail was unreal and others felt the painting was too on the nose and surfacey - in other words it didn't speak to her tragedy.
The model for the painting apparently got sick, as she spent long hours in an ice cold bathtub for Milais's reference. Its how he was able to capture that ghastly expression.This painting is rich in symbolic elements. Millais included various flowers mentioned in Shakespeare’s text, each carrying specific meanings: Poppies (symbolizing death) Daisies (innocence) Pansies (thoughts) Violets (faithfulness, chastity, or death in youth) The weeping willow tree, nettles, and other flora depicted also add to the symbolism of mourning and despair.
Toss and turn, she finds no sleep
A heavy heart behind its cage
Bound by love she cannot keep
And victim of his rage
Her heart, a beacon pure and bright,
Yearns for what she cannot claim,
Lost in silence of the night,
She whispers Hamlet’s name
Poppies sigh of dreams denied,
As pansies speak of thoughts unshown,
While tangled vines of honor tied,
Ensnare her where the waters moan
She drifts along the brook's embrace,
Another lost to love's cruel frown,
With flowers twined about her face,
Singing as she drowns
Christina's World
Christina's World is one of my favourites. The woman in the painting was the artist's neighbor, and she suffered from a muscular condition that left her unable to walk. The painting is renowned for its depiction of isolation and determination and is the reason I enjoy it so much.Her arms are beyond skinny and once you realise her situation the house looks to be an impossible distance away. The artist said "The challenge for me was to depict her extraordinary conquest of life which most people would consider hopeless." The tale of determination in how she continues to try is what inspires me and makes it one of my favourite paintings.
In a field where grasses sway,
A mortal, Christina, makes her way
With limbs that falter, strength that strains,
She gazes t'ward a distant plain
Gods above with pity gaze,
Their gifted forms in sunlit haze
They soar, they leap, with ease they tread,
While she, determined, crawls instead
Yet in her eyes, a fire burns bright,
A will that pierces through the night
For in her heart, a power grand,
A strength that they can't understand
The gods may pity, but they lack
The courage found along her track
Though gifted in body 'n' mind,
Never grit like hers they find
Drawn from earth in every breath,
A strength that conquers even death
In fields of gold, 'neath the sky,
A mortal shows the gods to try